Nikolaj Hansson Joins Diadora Legacy as Creative Director

October 31, 2024

Diadora's appointment of Danish designer Nikolaj Hansson as Creative Director for its Legacy line signals a fresh chapter for the brand. Known for his Copenhagen-based label Palmes, Hansson’s connection to Diadora began in childhood, admiring the brand’s iconic boots on Premier League defenders. Now, his deep respect for Diadora’s heritage and his vision for merging craftsmanship with progressive design will shape the brand’s premium Legacy line.

His first collection launching in Fall/Winter 2025, will blend his design ethos with Diadora’s storied history, tapping into both the brand’s past and a modern sensibility. Diadora’s CEO, Claudio Bora, shares Nikolaj Hansson's vision of sport as an emotional, daily experience, aiming to create apparel that resonates with the spirit of sport itself. As Hansson says, "the falling in love was mutual," and together, they aim to reignite that spark in a new generation of fans.

Text by Enzo Holdt
Photography by Giovanni Benvenuto

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Laura Andraschko SS25

June 12, 2024

At London Fashion Week earlier this week, creative director Laura Andraschko unveiled her latest collection, an overtly political presentation, featuring on-the-nose critiques of the UK upper class’ culture and attitudes.

Andraschko, whose work is typically hedonistic in nature, has taken a left turn for the SS25 collection. The excess and ignorance of the often conservative upper class woman is mocked mercilessly. Faux country club pieces are embroidered with phrases like “Entitled Cunt”, offering unabashed, humorous criticism of elites in line with the trend found in recent films The Menu and Triangle of Sadness.

To frame her theatrical show of ridicule, Andraschko chose horse stables in West London as her location, a perfect encapsulation of the bullshit behind the shiny artifice of the lifestyle Britain's elites have chosen for themselves. The designer isn’t portraying herself as a hater through-and-through, though, as elements of the collection display a deep seeded love for aspects of British culture and fashion. Equestrian wear is included, along with pieces invoking UK country club’s and upper class business wear.

Some pieces evoke the well-known Bullingdon Club, which counts Prime Ministers such as notorious right-wing buffoon Boris Johnson and conservative clown David Cameron as it’s former members. Although the collection s a scathing critique of the rich, it’s also tinged with hope, paving an absurd path forward in the arts, a much needed reprieve in a time of ever-increasing inequality.