NYC Dyke March

June 29, 2017

The NYC Pride Parade is among the largest, longest-standing LGBTQ+ community gatherings. Alongside its growth each year, there has also been an evident increase in corporate backing and commercialization, which has lead to an atmosphere made up of straight people playing dress-up with the queers. It doesn’t do much immediate harm, but when looking at the bigger picture it can mask the issues that bring us to gather in the first place.

So, rather than head to Stonewall on Sunday, we set out to the NYC Dyke March, described as ‘not a parade.’ It is a protest for the ‘self-proclaimed Dykes’ of the community. While celebratory, it is mindful of present societal issues, understanding that we can enjoy how far we have come and fight back concurrently.

It is also reclamation of the female and the feminine— displaying femme in all facets. It shows that 'feminine' is more than a generic norm. Rather, it carries immense beauty and power. These are the inspiring people from this prideful and passionate protest.

Photos and text by Joe Viola

Culture

Services Généraux's SISYPHE

February 26, 2026

Paris-based studio Services Généraux presents SISYPHE, an experimental short film developed as part of its annual personal project. Working across visual art, fashion, and music, the film examines repetition, control, and the search for meaning.

Inspired by the myth of Sisyphus and informed by Albert Camus’ interpretation, SISYPHE reframes the condemned figure not as punished, but as reflective of contemporary life, defined by cycles of effort and renewal. The narrative follows a structure influenced by Maslow’s hierarchy of needs, tracing a progression from survival to self-actualisation, each stage briefly attained before collapsing back to the start.

At the centre of the work is a question of free will. The film approaches the idea of choosing one’s death not as defeat, but as an attempt to reclaim agency within an existence shaped by routine and constraint. Control becomes the core tension when endurance shifts from obligation to choice.

The score by Para One was composed in dialogue with the edit, creating a restrained sonic framework that mirrors the film’s rhythm. Costumes by Craig Green function as structural forms rather than decorative garments, reinforcing the body as a site of endurance and containment. Shot in Brittany, the film combines practical and digital techniques to construct an environment that resists a clear sense of time.

To mark its release, Services Généraux hosted a watch party in New York on February 17 at Public Records, as well as a screening on February 26 at Espace Commines in Paris.