office Issue 10 Launch Party
We work hard, but we play harder, and we have the photos to prove it. So regardless if you took part in the madness or not, check out the flicks below to see how we get down.
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We work hard, but we play harder, and we have the photos to prove it. So regardless if you took part in the madness or not, check out the flicks below to see how we get down.
My camera breaks after Björk's first set and I think she put a spell on all the tech in the area that made her impossible to photograph — which makes sense for her. All the pictures I tried to take ended up looking like found footage or Bigfoot sighting photos, but I think she wants it that way. Her masked ensemble (courtesy of Noir Kei Ninomiya and James Merry) made someone wonder aloud, "Is that even her?" While she stayed hidden for the most part, only occasionally popping out from behind leaves to erratically dance and thrash around, the Björk touch was undeniable. Who else is mixing hymns, soundbites of hysteric laughter, and Megan Thee Stallion?
Try it for yourself before the pop-up closes up. The restaurant will be open for a 6-course lunch and 8-course dinner service from May 3rd through 12th.
Reservations can be made here. ‘Hard Copy’ curated by Aaron Stern runs until May 31st.
MEMPHY wears DRESS by ROBERTO CAVALLI, SHOES are STYLIST’S OWN
MEMPHY wears DRESS by DI PETSA, SHOES and SOCKS are STYLIST’S OWN, BRADY and BRANDON wear PANTS by THE ORIGINAL PATTERN, SHOES by MANOLO BLAHNIK
SAUSHA — Okay, so what’s up? I was honestly excited when I was asked to do this, because I love any chance I get to be on my Wendy Williams shit, so I’m going to really try and embrace it.
MEMPHY — Let’s get into it.
S — But first, let’s talk about how we met because the first time you ever even came into my consciousness, I was at Spectrum or something, chilling by the bar. It had to be 2016 or ’17, something crazy like that. Maybe a little bit later. All of a sudden, I hear somebody from behind me being like, “I just graduated high school today. Yes, I just graduated high school.” I turned the fuck around like, “Who is this little girl? Somebody get her out of here.” I was so shook at the time. It was so funny.
M — [Laughs] And then I looked at you like, “This little girl is me. What’s up?”
S — What was it like growing up in New York?
M — For me, it was cool.
S — I know you fucked your high school bully a little bit.
M — That I did. Honestly growing up in New York was lit. In school we had “out” lunch, which meant that we could leave for the hour so we never really had a cafeteria moment. There were also no proper school sports — I feel like most high schools have a football team or bleachers, whatever.
S — You were just on the streets from a very young fucking age.
M — Yeah. Lunch break and the girls are crossing the street, smoking their cigarettes outside. I was always super down to explore. I would always go to Tompkins and hang out with the skaters, that’s how I really started meeting people. It’s how I met Gia who took me to one of my first raves.
S — And you were always around older people, which I related to. I was always the young one, until you came around and took that crown from me. So, let’s talk about how you got into music. I feel like a lot of people don’t know about your dad and his music legacy.