Grace Wales Bonner Selected for Artist’s Choice Series

July 19, 2023

Grace Wales Bonner, founder of eponymous menswear label Wales Bonner, was selected by the Museum of Modern Art (MoMA) to curate an exhibition for their Artist’s Choice series. For the exhibition, titled Spirit-Movers, Bonner will choose around 50 pieces from MoMA’s vast collection utilizing her creative expertise to interweave the diverse aesthetic practices, experiences and styles across the African diaspora.

Bonner aims to cultivate a personal connection with her audience and the rich history of the works in the exhibition. She finds it an "immense honor to engage with the artist and works in MoMA’s collection," and wishes to "extend [her] deepest thanks to the museum for allowing [her] the space to create so freely."

The exhibition will be on view in the Museum’s street-level galleries from November 18, 2023, through April 7, 2024.

Text by Mariah Jolie
Photos courtesy of Wales Bonner, Manifesto

The designer has achieved so much in a short amount of time, having curated her first exhibition at the Serpentine Gallery, titled A Time for New Dreams, in 2019 and winning prestigious awards like the LVMH prize for young fashion designers in 2016 and CFDA menswear designer of the year in 2021 so this milestone is no surprise. She spent years researching pieces that drew inspiration from a variety of dynamic entities connected to performance, music, bodies, and communion, such as Terry Adkins’s Last Trumpet (1955), David Hammon's Afro-Asian Eclipse (1978), Moustapha Dime's Lady with a Long Neck (1922), and more. Adkin's work beautifully captures the essence of musicality, emphasizing sound, performance, and elegy. Hammon's work connects Afro-Atlantic and Afro-Pacific cultures reflecting Bonner's transatlantic identity. Dime's piece was crafted from reclaimed materials found in Dakar's urban environment.

Bonner is collaborating with Michelle Kuo, curator of the Marlene Hess, and Dana Lijergern, Assistant, Department of Painting and Sculpture to bring the exhibition to life. Michelle says that Bonner has influenced the way they see style, as structure rather than surface.

After the series closes, the work in the exhibition will be immortalized in a book titled Grace Wales Bonner: Dream in the Rhythm — Visions of Sound and Spirit. The book will serve as an “archive of soulful expression” and showcase Bonner’s ability to move an audience through different art forms.

Moustapha Dimé. Lady with a Long Neck. 1992. Wood, iron and paint, 6′ 8 1/2″ x 39″ x 12″ (204.5 x 99 x 30.5 cm). Gift of Agnes Gund and Daniel Shapiro. The Museum of Modern Art, New York. Photo: Jonathan Muzikar . Moustapha Dimé © 2023 Artists Rights Society (ARS), New York / ADAGP, Paris.

Mathias Goeritz. Message Number 7B, Ecclesiastes VII: 6. 1959. Nails, metal foils, oil, and iron on wood panel, 17 7/8 x 13 5/8 x 3 3/8″ (45.1 x 34.5 x 8.4 cm). Gift of Philip Johnson. The Museum of Modern Art, New York. D.R. © Mathias Goeritz 1959 License by L.M. Daniel Goeritz y Galeria La Caja Negra, Madrid.

Henri Cartier-Bresson. Washington, D.C. 1957. Gelatin silver print, 6 3/4 × 10" (17.1 × 25.4 cm). Gift of John C. Waddell. The Museum of Modern Art, New York. © 2023 Henri Cartier-Bresson/Magnum Photos, courtesy Fondation Henri Cartier-Bresson, Paris.

Terry Adkins. Last Trumpet. 1995. Brass and sousaphone and trombone bells, four parts, each 216 × 24 × 24″ (548.6 × 61 × 61 cm). Gift of David Booth; and gift of Mr. and Mrs. Murray Thompson (by exchange). The Museum of Modern Art, New York. © Terry Adkins. Courtesy of the Estate of Terry Adkins.

Benjamin Patterson. Paper Piece. 1960. Ink on two sheets of paper with mailed envelope, sheet (.a, folded): 8 3/4 x 6 7/8″ (22.2 x 17.5 cm); sheet (.b (irreg.)): 8 3/4 x 6 7/8″ (22.2 x 17.5 cm); sheet (.c): 4 1/2 x 8″ (11.4 x 20.3 cm). The Gilbert and Lila Silverman Fluxus Collection Gift. The Museum of Modern Art, New York. © 2023 Ben Patterson.

W. Eugene Smith. Rahsaan Roland Kirk. 1964. Gelatin silver print, 11 1/2 × 7 1/4″ (29.2 × 18.4 cm). Gift of Richard L. Sandor. The Museum of Modern Art, New York. © 1964, 2023 The Heirs of W. Eugene Smith.

Culture

So Far So Good

April 26, 2024

Nolan Zangas’ first solo book So Far So Good, published by Blurring Books, unveils 160 pages of unreleased personal work spanning the last five years of living in New York City. Growing up running around the city's streets, capturing candid moments on disposable cameras during his youth, Nolan's desire to concretize his memories blossomed into the successful career he has today. This project stands apart his expansive body of work as a diaristic exploration of young adulthood, delving into the intersection of beauty and pain, and navigating "the fine line between success and failure" amidst the perpetual motion of a city like New York, shining a light on people and moments that shape its identity yet are often overlooked.

“In the spirit of La Haine as Vinz describes the man who falls from a skyscraper reassuring himself: ‘So far, so good...so far, so good’ on the way down,” the book serves as a tangible reminder that in life ‘It’s not how you fall that matters. It’s how you land.’”

Ahead of the launch at earshot.nyc tomorrow, we caught up with Nolan over email to talk about his selection process, how he got started taking photos, and why he doesn't post everything on Instagram.

Photography Nolan Zangas

How did you select what made it into the book?
My process is very physical. I hand print my images in a darkroom. I start by making a contact sheet. If I like the images on the contact sheet, I often cut them out and glue them into a notebook. Then I go back and print the images I like. Sometimes im in the darkroom like 30 hours in a week.
How many did you have to sort through?
It’s so hard to say. Easily over 100,000 frames. I made over 1,000 prints and most of them did not make the cut.
A book can act almost like an artifact, in that when you’re picking it up, it exists in that moment — whether that’s the day after it launches or five years from then. Did that come to mind and was there a specific thread you followed to ensure that timelessness?
I think that’s what makes books so important. I collect a lot of books. Images now feel so disposable, and I really like physical things. I think the selection of images are feel timeless, and the layout adds a bit of character to it all.
Not every upbringing is the same and as someone who also grew up in NYC, coming of age here is very different from any other place — at what point in your adolescence did you decide to start documenting your life and the people around you?
I started taking pictures of my friends on disposables around the age of 12. I lost or never picked up any of the negatives and the files are long gone. That really upsets me, and I think that made me want to take a lot more pictures as I got older. Around 18 is when I really started taking pictures of my life and things around me. I wanted to be able to look back at it all one day. I also think I’ve been surrounded with such diverse people. I think everyone deserves to have their picture taken.

How do you know when you’ve found a good picture?
There are a bunch of technical aspects that go into a good picture but I feel like for this project that stuff matters less. If it’s a good moment, and the picture makes me feel like I’m there, it’s a good picture.
The title is self-explanatory in context but I’m curious to know what led you to pick So Far So Good as the book's title.
Pretty early on in the process of making a layout actually. I think one of my friends said “so far so good” in conversation, and I instantly thought about the scene in La Haine where they talk about falling from a building. Then in my head I was like, holy shit thats the name right there”. It’s like, how far can you stretch a rubber band before it snaps. It felt really fitting to that point in my life and the book as a whole. A lot of good and a lot of bad around me.
Creating anything is an act of giving. How do you hope people, and those featured in its pages, receive the book?
I think it’s going to be cool for people who are in it because most of them don’t even know the pictures exist. I haven’t really been sending or showing anyone pictures because then they just end up on Instagram and in my head thats basically the trash can. I think some people won’t get it and others will. I don’t really mind. Everyone grew up doing different things.

It’s like, how far can you stretch a rubber band before it snaps. It felt really fitting to that point in my life and the book as a whole. A lot of good and a lot of bad around me.

Culture

I Only Came For the Parties

Between Rihanna and A$AP Rocky surprise appearance to the open bars, food trucks, and dance floors, the party was wild. As I arrived at the ranch, I was immediately met with a friend of mine running up to me saying, “Pookie and Jett are here. We NEED to party with them.” We began the hunt after stopping by the Passes.com table for some cotton candy. With a wrist full of stacked bands on one arm and a drink in my other, I hurried past Justin and Hailey Bieber before reaching the packed dance floor. It must’ve been close to sunrise when I finally came to and headed for the exit. Walking out, I ran into my friends who told me they just drove in from LA and NYC just for the party. This being my 10th Coachella, I'd probably stay home next year if it weren’t for this party.

Culture

Celebrating Earth Day w/ Nike x office

No Earth Day celebration is complete without action, so here are 10 local NYC-based initiatives you can get involved in to preserve the planet we all share.

Join a community garden: NYC has many community gardens (Brooklyn Botanic Garden, Queens Botanic Garden, The High Line) that offer volunteer opportunities and workshops on sustainable gardening practices.
Volunteer with NYC Parks: The NYC Parks Department offers various volunteer programs, including tree planting, cleanups, and habitat restoration.
Participate in beach cleanups: Organizations like the Surfrider Foundation and the NYC Parks Department organize regular beach cleanups in NYC's coastal areas.
Get involved with local environmental groups: Groups like the Sierra Club, the Nature Conservancy, and the NYC Environmental Justice Alliance offer various volunteer opportunities and campaigns.
Take part in citizen science projects: Organizations like the NYC Audubon Society and the Brooklyn Botanic Garden offer citizen science projects that allow individuals to contribute to environmental research.
Join a local recycling program: NYC's Department of Sanitation offers various recycling programs, including organics collection and textile recycling.
Support local sustainable businesses: Choose to shop at local businesses that prioritize sustainability and environmentally friendly practices. (Here's a great resource for finding them)
Advocate for environmental policy change: Contact local representatives and participate in advocacy campaigns with organizations like the NYC Environmental Justice Alliance.
Participate in park cleanups: Organizations like the Central Park Conservancy and the Prospect Park Alliance offer regular cleanup events.
Join a local environmental activism group: Groups like Extinction Rebellion NYC and the Sunrise Movement NYC offer opportunities for individuals to get involved in environmental activism and advocacy.

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Grace Wales Bonner Selected for Artist’s Choice Series

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