What do you guys do?
She Marley Marl: I’m a DJ, painter, curator, organizer, entrepreneur and model. I have an organization called Dis Trick, which is a platform for underground artists to communicate, collaborate and politically resist.
Pauli Cakes: That's always an open ended questions for me—I do a lot. I consider myself a multi-faceted creative energy and experience. I’m a DJ, curator, performer, nightlife personality and stylist. I have a curatorial platform called Club Cakes, I pull looks, make music, curate events, paint, draw, do healing work and dance. Within all of those realms, I ultimately do the lord's work hehehe.
How did you start DJing and working together?
She Marley Marl: Music is always been a huge passion of mine. Growing up, I was always passed the aux cord, and I loved making playlists for my friends or for random moments—I’m extremely hyper-aware of how music influences people's mood and experience. I started DJing when I invested into equipment and taught myself when I was about 13 or 14. I also met Pauli around that age, who I instantly loved and connected with, so it just made sense that we join forces. I think the first official time we worked together was when we threw a event and pop-up shop at some random person’s house on 14th st, aka selling our old clothes and small paintings for cash. I DJed and Pauli handled the vending—I think the owner came home later and kicked everyone out. We actually made a good amount of money, though, so it was success.
Now, years later, we live together in Bushwick, and recently launched a party series called Dis Trick x Club Cakes that emerged from us feeling like we needed to create our own spaces where we belong. There are so many mass market ‘queer safe space’ parties that are just the opposite—they use those words because it’s become a buzzword and term. We were tired of going to proclaimed queer spaces that are just rich, white, cis masc for masc men taking up space. We wanted to create a space for young underground Queer Trans GNC POC to kick back and feel safe and not tokenized. Through launching this, we began curating together as well as going b2b [business-to-business], since a lot of the time, we still don’t have budgets to book other DJs. Sometimes, after paying people and covering expenses we’d make only like, $10 each. It didn’t matter, though, because the feeling of knowing my community felt like they could belong overweighs everything.
Pauli Cakes: I’ve always had a passion for music—I’d always mix two songs together in my head and envision background music for any sequence of my life. I grew up in the city around a lot of loud sounds and music playing around me 24/7. I’ve always been fixated with the way music and art controls energy and spaces, so I naturally gravitated towards becoming a DJ. I wouldn’t let go of my iPod classic as a kid and downloaded virtual DJ when I was 15 and started fucking around. I actually had no idea what I was doing when I got booked for my first gig—I just knew I loved what effect good music had on people.
As for Marley and me, we met when we were kids—Marley was 14 and I was 16—and we both had urges to work on creative projects and use our art to amplify our voices. That's what bonded us together instantly. Our first gig was set up out of this random guys house—we just wanted to create a creative space where our friends could sell their art, we could play music and curate a unifying platform. So, we did, and it worked, and we kept doing it.
What's your collaborative process like?
Pauli Cakes: Our collaborative process is really special, loving and silly. I feel like we put a lot of intention and energy behind everything we do, which is what makes it special. Our creativity, love and passion for resistance are some qualities that make up our bond, so that makes collaborating come as a natural process. We work really hard and have a lot of fun, and it's really cute, and fun, and messy. We trust each other’s hard work and judgement, which is what makes our collaborations honest, beautiful and successful. Did I mention we have our own made up language with our own form of social cues? So, we’re pretty much great work partners.
She Marley Marl: It’s 55% serious work, 20% laughing ‘til I can’t breathe, 5% random noises, 10% artistic procrastination, 10% having multiple disasters but somehow making things work perfectly.