Head to the Mountain Top with Moses Sumney
Sumney released his second album græ in 2020, and with no concerts happening, he wanted to find a new creative way to perform his new songs. He partnered with We-Transfer, and the team worked together to bring his vision to life. Sumney wanted the film to be a fresh format for visualizing music with a setting just as ethereal as his voice. Working with We-Transfer and a 7-piece band, Blackalachia was born.
Office got the chance to speak with Sumney about Blackalachia, the process, and what is next for him. Check out the interview below and film HERE.
How are you?
I’m recovering from the whirlwind that was premiering Blackalachia at the Perez Art Museum Miami.
How does it feel to be at Basel? Is this your first time here?
It’s my first time at Basel, and only my 2nd time in Miami. It’s incredibly intense – every inch of the city is covered with people and art and people wanting their art seen. I do love the energy, though, and I appreciate that the general level of culturedness is higher than it would be at a music festival equivalent.
What does this film mean to you?
Blackachia is a love letter to the Appalachian terrain, a love letter to live performance, a celebration of decadence and indulgence, a proof-of-concept that maybe I can make films after all.
How did it come to fruition?
We had partnered with WePresent to make a film project for my 2nd album græ, and after everything shut down I decided to find a way to make the film locally in order to keep the partnership funds in play. Simultaneously, I had spent weeks workshopping live arrangements of my album songs with this incredibly dynamic band. I decided that instead of making a sort of visual album, I would make a live concert film unlike any I had seen before – outdoors, in the mountains, with a 7-piece band, a bunch of cameras and a technocrane.
The setting was so fabulous, where was it shot?
It was shot in Burnsville, North Carolina, about an hour north of where I live in Asheville.
Why did you choose this setting?
It chose me.
Being on such an intimate stage, truly the top of a mountain, how did it feel to be up there with the other members of the band?
It was incredible to play to an audience of grass, grasshoppers, birds, bees, trees, and wind. At times I felt like one with the earth. At other times I felt mad as hell that the crickets wouldn’t shut up and that we didn’t have the comforts of a traditional venue. It’s all part of it.
How was working with WeTransfer and WePresent?
Truly could not have asked for a more flexible, malleable, and art-fostering partner.
What is next for this project?
Next we hope to tour it around the world – hoping to install and program it at art galleries and museums, perhaps even schools – wherever they will have us.